Traversing Boundaries: Contemporary Hindi Cinema at International Film Festivals’ . South Asian Popular Culture. Taylor & Francis.Issue 3, 2022, Fall issue, forthcoming (co-author Sanchari Basu Chaudhuri).
‘Fashioning masculine anxieties: Clothes and style in The Bonfire of the Vanities’. European Journal of American Culture(2021). Volume 40 Number 3, pp. 215–231.
‘Bollywood’s Angromance: Toxic Masculinity and Male Angst in Tere Naam and Kabir Singh‘. Journal of Asia-Pacific Pop Culture. Vol. 5, No. 2, 2020. The Pennsylvania State University, pp.147-171. (co-author Sanchari Basu Chaudhuri).
‘Narcissism, Masochism and the Reconstituted Male—Masculine Performances in Fight Club and The Wrestler’. Journal of Creative Communications. November 2015; Vol. 10, No. 3, 276-287. (Co-author Vimal John)
“Haute couture and the discourse of stardom in globalized times: Sonam Kapoor as Hindi cinema’s representative fashion icon”. South Asian Popular Culture, Vol 12, Issue 2, 2014, pp 73-88. Routledge. Taylor & Francis, UK
“Arthur Miller and New York State of Being”. Studies in Theatre and Performance. Vol 34, No. 1, 2014 , pp. 62-74. Routledge. Taylor & Francis, UK
“Masculine Practices and Reception of Chinese Cinema in India.” Literary Insight. Vol 3, Jan 2012, pp. 34-40.
“English in Film Songs from India”. English Today , Vol 27, no 4 , Sept 2011, pp 21-24. Cambridge, UK.
“Home, Immigration, and Fractured Identities in Kiran Desai’s The Inheritance of Loss.” Journal of South Asian Review. Vol 32, No 2, 2011, pp259-274. Univ of Pittsburgh, USA.
“The Rhetoric of Spam mail.” ELTJ, 64/1, 2010, pp 85-94. Oxford, UK.
“Greed, Cynicism & Betrayal. Images of City in Postliberalization Indian Cinema” The Journal of Contemporary Literature, vol 2, no.2, July 2010, 149-171.
“Interrogating Liberal Ideals: Arthur Miller’s Clara and Vijay Tendulkar’s Kanyadaan.” Journal of Arts: Gendang Alam, Issue 2, 2011, pp 23-38. Universiti Malaysia Sabah.
“Radicalism& Rebellion: Relevance of Brecht in Present Times”. Atlantic Literary Review. 9, pp. 47-57, 2008.
“Tagore’s Chokher Bali: Aesthetic and Ethical Considerations”. JSL Journal of Art, literature and Culture. Spring 2006, pp 112-121.
“Ten Steps to Teaching English for Academic Purposes.” Modern English Teacher. vol.14, no.3, July 2005, pp 19-21. Modern English Publishing, UK.
“Code-Switching in Popular Journalism”. English Today. vol. 20, No.3, July 2004 , pp.34-36. Cambridge Univ. Press, UK.
“Hybridizing and Glocalizing English: the Language Revolution with Hinglish” Indian Linguistics. Vol 65, no1-4, 2004, pp. 197-214. Linguistic Society of India, Deccan College, Pune.
“Urmila: Feminist Concerns and Existential Dilemma. Indian Literature” Sahitya Akademy publication, December 2001, No. 206, pp. 184-189. Sahitya Akademi
Traversing Boundaries: Contemporary Hindi Cinema at International Film Festivals’ . South Asian Popular Culture. Taylor & Francis.Issue 3, 2022, Fall issue, forthcoming (co-author Sanchari Basu Chaudhuri).
‘Fashioning masculine anxieties: Clothes and style in The Bonfire of the Vanities’. European Journal of American Culture(2021). Volume 40 Number 3, pp. 215–231.
‘Bollywood’s Angromance: Toxic Masculinity and Male Angst in Tere Naam and Kabir Singh‘. Journal of Asia-Pacific Pop Culture. Vol. 5, No. 2, 2020. The Pennsylvania State University, pp.147-171. (co-author Sanchari Basu Chaudhuri).
‘Narcissism, Masochism and the Reconstituted Male—Masculine Performances in Fight Club and The Wrestler’. Journal of Creative Communications. November 2015; Vol. 10, No. 3, 276-287. (Co-author Vimal John)
“Haute couture and the discourse of stardom in globalized times: Sonam Kapoor as Hindi cinema’s representative fashion icon”. South Asian Popular Culture, Vol 12, Issue 2, 2014, pp 73-88. Routledge. Taylor & Francis, UK
“Arthur Miller and New York State of Being”. Studies in Theatre and Performance. Vol 34, No. 1, 2014 , pp. 62-74. Routledge. Taylor & Francis, UK
“Masculine Practices and Reception of Chinese Cinema in India.” Literary Insight. Vol 3, Jan 2012, pp. 34-40.
“English in Film Songs from India”. English Today , Vol 27, no 4 , Sept 2011, pp 21-24. Cambridge, UK.
“Home, Immigration, and Fractured Identities in Kiran Desai’s The Inheritance of Loss.” Journal of South Asian Review. Vol 32, No 2, 2011, pp259-274. Univ of Pittsburgh, USA.
“The Rhetoric of Spam mail.” ELTJ, 64/1, 2010, pp 85-94. Oxford, UK.
“Greed, Cynicism & Betrayal. Images of City in Postliberalization Indian Cinema” The Journal of Contemporary Literature, vol 2, no.2, July 2010, 149-171.
“Interrogating Liberal Ideals: Arthur Miller’s Clara and Vijay Tendulkar’s Kanyadaan.” Journal of Arts: Gendang Alam, Issue 2, 2011, pp 23-38. Universiti Malaysia Sabah.
“Radicalism& Rebellion: Relevance of Brecht in Present Times”. Atlantic Literary Review. 9, pp. 47-57, 2008.
“Tagore’s Chokher Bali: Aesthetic and Ethical Considerations”. JSL Journal of Art, literature and Culture. Spring 2006, pp 112-121.
“Ten Steps to Teaching English for Academic Purposes.” Modern English Teacher. vol.14, no.3, July 2005, pp 19-21. Modern English Publishing, UK.
“Code-Switching in Popular Journalism”. English Today. vol. 20, No.3, July 2004 , pp.34-36. Cambridge Univ. Press, UK.
“Hybridizing and Glocalizing English: the Language Revolution with Hinglish” Indian Linguistics. Vol 65, no1-4, 2004, pp. 197-214. Linguistic Society of India, Deccan College, Pune.
“Urmila: Feminist Concerns and Existential Dilemma. Indian Literature” Sahitya Akademy publication, December 2001, No. 206, pp. 184-189. Sahitya Akademi
